Sharif Waked at Kunsthaus Baselland
Soloshow «Halftones», September 11 until November 15, 2020
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Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Arabesque No. 8 (Settlers), 2020; Just A Moment No. 21 (Shit), 2018; Arabesque No. 11 (Breathe)» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
The work of Sharif Waked (*1964, Nazareth; lives and works in Nazareth and Santa Barbara CA) investigates cultural and political moments in present and past histories, playfully juxtaposing different positions and narratives and generating paradoxical and absurd encounters. His oeuvres are ruminations on the meaning of making and seeing art in the digital era, based in notions of appropriation, translation, and the juncture between image and text.
The exhibition at Kunsthaus Baselland features several works, including pieces from his series “Arabesque” and “Just A Moment,” presented alongside independent works. In the first gallery, Just A Moment No. 4 (Away From You) (2011) follows the diva Umm Kulthum, singing her iconic song Away From You (1965), and focuses on the stamping of her left foot just underneath the dress scraping her heel. MoM – Museum of Mosul (2017) reproduces the footage of ISIS’s destruction in Iraq as a promotional film, for a now-rebranded museum. A fragment of the same footage reappears in Just A Moment No. 17 (Smiley) (2016) in which an army of contemporary emojis struggle to save their smiling ancestor from ruin.
In the second gallery, a site-specific architectural intervention serves as the display device for two works: Bath Time (2012) features a donkey taking a good shower after a long day performing as a zebra at the Gaza Zoo; Just A Moment No. 21 (Shit) (2018) presents the outtakes of the main star of Bath Time, as she performs the mainstays of everyday life: eating and shitting. Surrounding Bath Time and Just A Moment No. 21 (Shit) are works from the series “Arabesque” (2016-ongoing), where Waked disassembles the building blocks of images to reconstruct what appear as geometric abstract surfaces.
In the third gallery, Just A Moment No. 5 (Jericho First) (2012) is displayed. In this diptych, the Oslo Agreements of the 1990s meet the tiled mosaics of the eighth century Umayyads Caliphate. Next to it, To Be Continued (2009) transforms the suicide bomber into the tenth century storyteller of One Thousand and One Nights, Scheherazade, who kept death at bay by feeding Shahryar’s narrative curiosity.
The exhibition is curated by Nicola Trezzi, Director and Curator, CCA – Center for Contemporary Art Tel Aviv, and Ines Goldbach, Director, Kunsthaus Baselland.
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, To Be Continued ..., 2009» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Just A Moment No. 5 (Jericho), 2012» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Arabesque No. 8 (Settlers), 2020; Arabesque No. 11 (Breathe)» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Arabesque No. 11 (Breathe), 2020; Bath Time, 2012» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Bath Time, 2012; Arabesque No. 10 (Aura), 2020» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Sharif Waked, Bath Time, 2012 / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Arabesque No. 7 (Balagan), 2020; Just A Moment No. 5 (Jericho), 2012» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Arabesque No. 8 (Settlers), 2020; Just A Moment No. 21 (Shit), 2018» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Just A Moment No. 4 (Away From You), 2011; Just A Moment No. 17 (Smiley), 2016» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Just A Moment No. 17 (Smiley), 2016; MoM – Museum of Mosul, 2017» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Just A Moment No. 4 (Away From You), 2011; Just A Moment No. 17 (Smiley), 2016; MoM – Museum of Mosul, 2017» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
Exhibition View Sharif Waked Solo Show «Halftones; view on Sharif Waked, Just A Moment No. 4 (Away From You), 2011; Just A Moment No. 17 (Smiley), 2016» at Kunsthaus Baselland, Muttenz, Basel, 2020 / Photo: Gina Folly / Courtesy: the artist
