«Plattform24» at Kunstmuseum Kunsthalle Appenzell
Group Show, March 10 until April 14, 2024
Artists
Anastasia Pavlou, Gemma Ushengewe, Leevi Toija, Lou-Anna Ulloa del Rio, Marine Aebischer, Mimmo Haraditiohadi, Mohamed Al-Bakeri, Schahed Javanbakhsh, Simon Pellegrini, Tereza Glazova, Virginie Sistek, Yul Tomatala
Institution
Location
Exhibition View Group Show «Plattform24» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Marine Aebischer, Giselle, 2024, Velvet, metal, batting, 110 x 105 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Anastasia Pavlou, The Reader Interrogates Narrative, but Poetry Interrogates the Reader (1-5), 2022-2024, Oil, water, found fabric, hair, charcoal, gesso on canvas, 150 x 515 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Gemma Ushengewe, Désir d’opacité, 2024, Engraved plexiglass, light spots 5 parts of 100 x 60 x 0.5 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Leevi Tojia, strata of (latent) practices, 2024, Model railroads, paint, Variable dimensions» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Leevi Tojia, strata of (latent) practices, 2024, Model railroads, paint, Variable dimensions» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Lou Anna Ulloa del Rio, Porcelaine, 2024, Paper, wood and paint, 223 x 110 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Mohamed Al-Bakeri, Pursuing Opacity: The Return of the Pink Balloon, 2024, Satin, chiffon, Each 145 x 100 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Mohamed Al-Bakeri, Pursuing Opacity: The Return of the Pink Balloon, 2024, Video, 4’» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Shahed Javanbakhsh, pulsators, 2024, Wood, steel, galvanized steel, glass, duster, stepper motor, polyactide, carbon, jammer, Variable dimensions» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Simon Pellegrini, Healthy trees grow best near unhappy lovers, 2024, Wood, birch veneer, fabric, paint, audio recording, 158 x 30 x 30 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Simon Pellegrini, Healthy trees grow best near unhappy lovers, 2024, Wood, birch veneer, fabric, paint, audio recording, 158 x 30 x 30 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Virginie Sistek, Resurrection Ranch, 2024, Wood, burlap flap, jeans, wadding, plaster, paint, transfer sticker, butterfly clasp brooch, MP3 sound chip module, paper, 660 x 574 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Virginie Sistek, Resurrection Ranch, 2024, Wood, burlap flap, jeans, wadding, plaster, paint, transfer sticker, butterfly clasp brooch, MP3 sound chip module, paper, 660 x 574 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
Exhibition View Group Show «Plattform24; view on Yul Tomatala, Hoarding, 2024, Extruded aluminium profiles and cast aluminium connectors, polycarbonate panels, laser prints on paper, steel brackets, tarpaulin, 488 x 304 x 34 cm» at Kunstmuseum Kunsthalle Appenzell, Appenzell, 2024 / Photo: Claude Barrault / Courtesy: The artists and Kunstmuseum Kunsthalle Appenzell
